{"title":"Essay","description":"\u003cstyle\u003e\n  .dropdown-container {\n    display: flex;\n    align-items: center;\n    gap: 10px;\n    \n  }\n\n  .nonfiction-link {\n    font-weight: bold;\n    text-decoration: none;\n    color: #333;\n    padding: 8px 12px;\n  }\n\n  .subgenre-dropdown {\n    position: relative;\n    display: inline-block;\n  }\n\n  .dropdown-toggle {\n    padding: 8px 12px;\n    background: #fff;\n    cursor: pointer;\n    color: #333;\n  }\n\n  .dropdown-menu {\n    display: none;\n    position: absolute;\n    top: 100%;\n    left: 0;\n    min-width: 200px;\n    background: #fff;\n    box-shadow: 0 4px 8px rgba(0,0,0,0.05);\n    z-index: 1000;\n  }\n\n  .dropdown-menu div {\n    padding: 10px 15px;\n    cursor: pointer;\n    color: #333;\n    white-space: nowrap;\n  }\n\n  .dropdown-menu div:hover {\n    background-color: #eee;\n  }\n\n  .dropdown-menu div.active {\n    background-color: #f5f5f5;\n    font-weight: bold;\n  }\n\n  .subgenre-dropdown:hover 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data-url=\"https:\/\/andditkr.myshopify.com\/collections\/drawing\"\u003eDrawing\u003c\/div\u003e\n      \u003cdiv data-url=\"https:\/\/andditkr.myshopify.com\/collections\/essay\"\u003eEssay\u003c\/div\u003e\n      \u003cdiv data-url=\"https:\/\/andditkr.myshopify.com\/collections\/hobby\"\u003eHobby\u003c\/div\u003e\n      \u003cdiv data-url=\"https:\/\/andditkr.myshopify.com\/collections\/humanities\"\u003eHumanities\u003c\/div\u003e\n      \u003cdiv data-url=\"https:\/\/andditkr.myshopify.com\/collections\/other\"\u003eOther\u003c\/div\u003e\n      \u003cdiv data-url=\"https:\/\/andditkr.myshopify.com\/collections\/self-help\"\u003eSelf-help\u003c\/div\u003e\n      \u003cdiv data-url=\"https:\/\/andditkr.myshopify.com\/collections\/score\"\u003eScore\u003c\/div\u003e\n      \u003cdiv data-url=\"https:\/\/andditkr.myshopify.com\/collections\/introduction-to-korean\"\u003eIntroduction to korean\u003c\/div\u003e\n    \u003c\/div\u003e\n  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시 세계를 접하고, 그의 사람됨과 시를 매우 아껴 《용사 야노시》의 중국어 번역 원고를 직접 교열하고 출판하는 데 참여했다. 뛰어난 사상가이자 정치인이기도 했던 루쉰이 조국의 독립을 위해 헌신한 페퇴피의 실천적 삶에 얼마나 감명받았을지는 충분히 짐작할 수 있다. 그는 《용사 야노시》를 이렇게 평가한다.\u003c\/p\u003e\n\u003cp\u003e그의 장기는 물론 서정시다. 그러나 이 민간고사에 기반한 시는 사적은 간단하고 소박하지만 어린이의 천진함이 가득하다. 따라서 (…) ‘어린이의 마음’만 갖고 있다면 아주 즐겁게 이 책을 끝까지 읽을 수 있을 것이다.(루쉰, 《집외집습유보편》, 그린비, 2017)\u003c\/p\u003e\n\u003cp\u003e루쉰은 중국어판 《용사 야노시》에 실을 삽화가 있는지 수소문하다 마침내 19세기 헝가리 화가 벨라 샨도르가 그린 12폭짜리 벽화의 축소 인쇄 그림을 얻지만, 경제적인 이유로 중국어판에 단색 동판으로 두 폭만 게재하는 것을 아쉬워하지만, 중국에 “헝가리 명작과 화가 두 명을 벌써 소개한 것으로 간주”하며 아쉬움을 달랜다.\u003cbr\u003e이렇듯 루쉰이 생존해 있었다면 부러워하면서도 기뻐했을 새로운 형태의 《용사 야노시》를 알마출판사에서 선보인다. 지금도 헝가리에서는 다양한 문화 행사를 통해 그의 실천적인 조국애를 기리고 있는데, 페퇴피의 삶과 작품 세계를 보존하고 널리 전파하는 작업을 주도하는 헝가리 페퇴피 문화재단은 종이책 고유의 물성을 가장 잘 살릴 수 있는 출판사로 한국의 알마출판사를 선택해 새로운 복합예술로 페퇴피가 되살아날 수 있게 했다.\u003cbr\u003e알마출판사는 페퇴피 탄생 200주년(2023년)을 맞이해 페퇴피 문화재단과 주한 헝가리문화원의 전폭적인 지원을 받아 《용사 야노시》를 지금까지 볼 수 없던 시각예술 작품으로 탄생시켰다. 《용사 야노시》 한글판은 헝가리에서 출판된 책을 우리말로 단순히 옮긴 작품이 아니라 헝가리 출신의 세계적인 샌드 아티스트이자 애니메이션 영화 감독으로 칸 영화제와 베를린 영화제를 비롯한 다수의 영화제에서 최고상을 수상한 처코 페렌츠가 작업한 샌드 아트 그림들로 가득하다. 헝가리 아리엘 극장의 의뢰로 페퇴피 탄생 200주년을 기념하기 위해 그의 작품을 샌드 아트로 표현해낸 처코 페렌츠는 한글판을 위해 새로 48점의 그림을 그려 한국 독자들만이 소장할 수 있는 새로운 페퇴피를 창조해냈다.\u003c\/p\u003e\n\u003cp\u003e《용사 야노시》, 200년의 시간을 뛰어넘어 새로운 복합예술로 탄생하다\u003c\/p\u003e\n\u003cp\u003e이렇듯 많은 이들의 사랑을 받은 페퇴피 샨도르이지만, 그가 애국심 투철한 시인에만 머물렀다면 그와 그의 작품은 지금까지 이런 사랑을 누리지 못했을 것이다.\u003cbr\u003e그의 대표작인 서사시 〈용사 야노시〉는 이야기의 다채로운 매력을 보여준다. 27개 장에서 펼쳐지는 에피소드에는 사랑과 이별, 전쟁과 평화, 위기 뒤의 기회 등 인간사의 모든 요소들이 휘몰아친다. 하지만 이 작품의 중심에는 끝없이 닥쳐오는 시련 속에서도 우리를 지탱해주는 유머와 따뜻한 휴머니즘이 자리하고 있다. 오래전의 이야기이지만, 현대의 우리에게도 여전히 유효한 가치가 《용사 야노시》에 담겨 있다.\u003c\/p\u003e\n\u003cp\u003e이 책의 주인공인 야노시는 그리스신화 속 오디세우스나 수메르신화의 길가메시, 아서왕 이야기에 나오는 기사 란슬롯 등 우리에게 잘 알려진 영웅들과 달리 가난하고 신분도 보잘것없는 양치기 청년이다. 사랑의 단꿈에 빠져 한눈을 팔다 주인집의 양들을 잃어버리고 쫓겨난 그가 수많은 고난과 위기를 겪은 후에 얻는 것 역시 명예나 부, 권력이 아니다. 그는 무수한 유혹과 위험 속에서도 선한 인간성을 잃지 않으며, 자신의 연인에 대한 신의와 사랑을 끝까지 지켜나간다. 그리고 종국에는 그토록 바라던 ‘사랑’을 되찾는다.\u003cbr\u003e〈용사 야노시〉가 지금까지도 많은 헝가리인들의 사랑을 받으며 연극, 뮤지컬, 애니메이션 등 다양한 형태의 예술로 재현되는 이유 가운데 하나는 이 작품이 전달해주는 인간적이고 소박하면서도 낭만적인 정서 때문일 것이다.\u003c\/p\u003e\n\u003cp\u003e세계 최초로 선보이는 시와 샌드 아트의 결합\u003c\/p\u003e\n\u003cp\u003e〈용사 야노시〉를 샌드 아트라는 새로운 복합예술로 재창조해낸 처코 페렌츠는 헝가리 부다페스트 태생의 유명한 애니메이션 영화감독이자 디자이너이다. 초기에는 클레이 애니메이션 영화로 이름을 알렸고, 1987년 샌드 아트 영화 〈태초로부터AB OVO〉로 칸 영화제에서 황금종려상, 안시 국제 애니메이션 영화제에서 크리스털상을 수상하며 샌드 아티스트로서 이름을 널리 알리기 시작했다. 그리고 1995년 〈하무HAMU〉로 베를린영화제에서 황금곰상을 수상했다.\u003c\/p\u003e\n\u003cp\u003e헝가리시문학의 권위자 한경민 교수의 번역으로 만나는 페퇴피의 시세계\u003c\/p\u003e\n\u003cp\u003e《용사 야노시》는 헝가리문학, 그중에서도 시문학 전문가이자 페퇴피 전문 연구자인 한국외국어대학교 헝가리어과 한경민 교수의 번역으로 독자를 찾아간다. 여러 편의 연구 논문을 통해 페퇴피 시세계의 본령을 통찰해온 한경민 교수는 《모든 비밀의 시》 《팔 거리의 아이들》 《사랑, 특별한 선물》 《좌절》 《내가 아빠고 아빠가 나라면》 《잠자리 섬의 꼬마 염소》 등을 번역했고, 페퇴피 샨도르의 시선집 《민족의 노래》를 엮는 등 페퇴피의 작품 외에 다른 헝가리 문학작품을 꾸준히 국내에 소개해오고 있다.\u003c\/p\u003e\n\u003cp\u003e아직은 우리에게 낯선 동유럽 문학이지만, 탄생 200주년을 기념해 우리나라에 소개되는 초역본의 의미를 살리기 위해 한글판 본문에 헝가리어 원문도 같이 실었다. 많은 독자들이 그 내용을 직접적으로 이해할 수는 없을지라도, 헝가리가 가장 사랑하는 작가인 페퇴피 샨도르의 진수가 담긴 글이라는 점에서 그의 열정을 느낄 수 있을 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mm\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProduct Type:\u003c\/strong\u003e Korean Books\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Brand new, 100% Authentic Product (Original Korean Edition)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCountry of Origin:\u003c\/strong\u003e South Korea\u003cbr\u003e\u003cstrong\u003eShipping:\u003c\/strong\u003e Ships directly from South Korea\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003e[Original Korean Information]\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eKorean Title:\u003c\/strong\u003e 기분이 태도가 되지 않게 (헬로키티 에디션) : 기분 따라 행동하다 손해 보는 당신을 위한 심리 수업\u003cbr\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e 레몬심리 저 \/ 박영란 역\u003cbr\u003e\u003cstrong\u003ePublisher:\u003c\/strong\u003e 갤리온\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDon’t Let Your Feelings Become Your Attitude, Korean 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of 2020:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eThe Washington Post\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e* NPR *\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eChicago Tribune *\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eSmithsonian\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eA “remarkable” (\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eLos Angeles Times\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e), “seductive” (\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eWall Street Journal\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e) debut from the new cohost of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eRadiolab\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eWhy Fish Don’t Exist\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eis a dark and astonishing tale of love, chaos, scientific obsession, and—possibly—even murder.?\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e“At one point, Miller dives into the ocean into a school of fish…comes up for air, and realizes she’s in love. That’s how I felt: Her book took me to strange depths I never imagined, and I was smitten.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e—\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eThe\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eNew York Times Book Review\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003eDavid Starr Jordan was a taxonomist, a man possessed with bringing order to the natural world. In time, he would be credited with discovering nearly a \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003efifth\u003c\/span\u003e\u003cspan\u003e of the fish known to humans in his day. But the more of the hidden blueprint of life he uncovered, the harder the universe seemed to try to thwart him. 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누군가에게는 이 질문이 살아가는 데 아무런 영향을 미치지 않을 수도 있다. 하지만 세상을 바라보는 “진실한 관계들”에 한층 가까이 다가가기 위해 노력하는 사람들에게는 분명 이 책이 놀라운 영감과 어느 한쪽으로도 치우치지 않는 폭넓은 시야를 제공해줄 것이다.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e목차\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e프롤로그\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1. 별에 머리를 담근 소년\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. 어느 섬의 선지자\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. 신이 없는 막간극\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. 꼬리를 좇다\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. 유리단지에 담긴 기원\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. 박살\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. 파괴되지 않는 것\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. 기만에 대하여\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. 세상에서 가장 쓴 것\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. 진정한 공포의 공간\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. 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